MPE Control also lets you take advantage of some of the tools available to you on an MPE controller, even if the instrument you're using doesn't support it. These let you decide how exactly you want various MPE functions to be used and map them quickly and easily. Ableton also included MPE Control and Expression Control devices, which you'll find under MIDI Effects. You can find presets under "MPE Sounds" in the browser if you want to quickly dabble and explore. (They also couldn't be more different from a sonic standpoint.)Ībleton was smart enough to update a few of its stock instruments to support MPE too, like Wavetable and Sampler. I mention those two in particular because they've been my go-to testbeds for exploring MPE. That means instruments that respond to MPE like Arturia's Pigments and sonicLAB's Fundamental can be that much more expressive when paired with the right controller, like the Sensel Morph. Bitwig has it, Logic has it, even Garage band has it. Ableton Live is one of the last major DAWs to add support for MIDI polyphonic expression. For improvisatory live performance, on the other hand, the Sync versions can be a ton of fun.Lets start with arguably the marquee feature - MPE support. For mixing i like using the Unsync versions usually, to allow the echos to be slightly out of time with the grid, which sounds less rigid and linear, appropriate for the organic styles of music i tend to more often mix. Pingdemonium comes with a dozen Ping Pong delay racks, each provided in both “Sync” and “Unsync” versions. This is a super useful feature and can be invaluable for technical sound design purposes.įor Live 9 users who don’t have access to Echo yet: Pingdemonium can help satiate that craving in your life for more expressive modulated echoes.įor Live 10 users: Pingdemonium can help resuscitate the somewhat obsolete Ping Pong Delay effect into a more practical and usable device which stands on its own, worthy of placement among the ranks of your current audio production toolkit. We also provide more control over the stereo placement of the delay repeat lines, adding the ability to modify their width, or even place the “even” and “odd” repeats exactly where we want them in the stereo field. Even with Echo in-hand, the Pingdemonium racks are not redundant, however, each aiming for and providing a different certain unique result. Yes, Ableton’s new Echo effect is indeed dope and definitely expands on basic delay in some really cool ways. ![]() If you have Live 10, at this point you’re probably thinking “Echo, duh!”. ![]() Normally, such a thing is accomplished by using Sends and Return (aux) tracks, sending various bits of dry signal to Return tracks, which supply the modified wet delays… But what if you want to accomplish such a feat inside of audio tracks, placed anywhere in the effects chain you desire? ![]() The latest PerforModule pack for Ableton Live is Pingdemonium, which provides Ping Pong Delay presets which are souped up with additional functions, making them much more interesting.Ībleton’s Ping Pong Delay effect is a bit limited in its functionality, so by separating the delay line and the dry signal in their own individual chains, we apply different effects to the echos, which can then be recombined with the pristine original signal.Īdding saturation, modulation, or other effects to the delay line can really help them to blend in a more natural, analog-style manner than by using typical unprocessed repeats. What if i want the source audio to stay the same, but have the echo repeats reverse direction? Sure, you could flip the stereo field after applying it to reverse the direction-but that also reverses the stereo field of the source audio. So i found myself slightly annoyed that Ableton Live’s Ping Pong Delay effect always starts the first echo repeat on the left side.
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